Sounds Familiar
Sounds Familiar Podcast
"WTP"
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CW: This episode contains sexually explicit language and mentions of anti-trans violence. Listener discretion is advised. 

Track — Teyana Taylor feat. Mykki Blanco “WTP” from K.T.S.E. (GOOD/Def Jam 2018)

Sample — Octavia St. Laurent Mizrahi and Venus Xtravaganza in Paris Is Burning (1990)


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Under Title 17 U.S.C. Section 107, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is permitted by copyright statute that might otherwise be infringing. Non-profit educational or personal use tips the balance in favor of fair use.

More credits1

Sounds Familiar is written, performed, and produced by Sophie Israelsohn. It’s mixed, mastered, and produced by Jordan Aaron.

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Teyana Taylor “Gonna Love Me,” “Issues / Hold On” from K.T.S.E. (GOOD Music/Def Jam 2018), “WTP ft. Mykki Blanco (Official Video)” (2019); Disney’s The Little Mermaid (1989); Kanye West “I Thought About Killing You” from ye (GOOD Music/Def Jam 2018), GRAMMY acceptance speech at the 47th GRAMMY Awards (2005); Pusha T “If You Know You Know” from Daytona (GOOD Music/Def Jam 2018); Kid Cudi “Kids See Ghosts” from Kids See Ghosts (GOOD Music/Def Jam 2018); Nas “Bonjour” from Nasir (GOOD Music/Def Jam 2018); Madonna “Vogue” (Sire/Warner Bros. 1990); Ellis D (aka DJ Junior Vasquez) Presents Boom-Boom “Work This Pussy” (Street Level 1989); Go Bitch Go! “(Work This) Pussy” (Dancefloor 1991); James Brown “Get Up Offa That Thing” (Polydor 1976); Octavia St. Laurent in Queen Of The Underground (copyright 1993, released 2009); Black Lady Sketch Show Season 3 Episode 2 “Anybody Have Something I Can Flog Myself With?” (HBO 2022); RuPaul’s Drag Race Season 16 Episode 4 “RDR Live!” (MTV 2024)

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Sounds Familiar
Sounds Familiar Podcast
Sounds Familiar is a sound-sampling podcast for the everyday music lover. Each episode covers a piece of music that incorporates non-musical sound from a different source. Little by little, we trace the lines of influence across time and media.
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Sophie Israelsohn
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