Sounds Familiar
Sounds Familiar Podcast
"Getsomerest/sleepwell" b/w "body"
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"Getsomerest/sleepwell" b/w "body"

S02 E11
Left: Quickly Quickly Vol. 1 cover art, photograph of Mt. Adams; Right: Mia Gargaret cover art, photograph of Gia Margaret floating in waterLeft: Quickly Quickly Vol. 1 cover art, photograph of Mt. Adams; Right: Mia Gargaret cover art, photograph of Gia Margaret floating in water
Left: Quickly Quickly Vol. 1 (2017); Right: Mia Gargaret (2020)

Track 1 — quickly, quickly, “Getsomerest/sleepwell” from Quickly Quickly Vol. 1 (self-released 2017)
Sample(s) — Alan Watts “Death” from Essential Lectures (1960), Chet Baker “Tenderly” from Chet in Paris, Vol. 2: Everything Happens to Me (EmArcy 1988)

Track 2 — Gia Margaret, “body” from Mia Gargaret (Dalliance/Ordinal 2020)
Sample(s) — Alan Watts “Overcome Social Anxiety” from The World As Emptiness (1960)


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Under Title 17 U.S.C. Section 107, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is permitted by copyright statute that might otherwise be infringing. Non-profit, education or personal use tips the balance in favor of fair use.

More credits12

1

Gia Margaret, “apathy” from Mia Gargaret (Dalliance/Ordinal 2020); Sokro, “KrustIdentitee” from Sokro and the Bikini Bottom Orchestra (self-released 2016); jhfly, “Sudden Death” from jhfly EP (self-released 2018); Rep. Maxine Water (D-CA) to former Treasury Secretary Steve Mnuchin at House Financial Services Committee hearing, July 2017; Pete Holmes, “Zach Braff” episode of You Made It Weird with Pete Holmes (July 2023); Barbie (Warner Bros. 2023); Talking Heads, “Once in a Lifetime” from Remain in Light (Rhino/Warner 1980)

2

All stock music courtesy of Epidemic Sounds music and SFX library

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Sounds Familiar
Sounds Familiar Podcast
Sounds Familiar is a sound-sampling podcast for the everyday music lover. Each episode covers a piece of music that incorporates non-musical sound from a different source. Little by little, we trace the lines of influence across time and media.
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Sophie Israelsohn